• Home
• About
  • National Sponsors
    • Major Sponsor
    • Platinum Sponsors
    • Gold Sponsors
    • Silver Sponsors
    • Bronze Sponsors
    • National Awards Partners
    • National Supporters
    • Web Site Sponsors
    • ACS CineKids Sponsor
  • Patrons
  • National Headquarters
  • Company Information
  • Executive & Committees
  • Policy
    • Privacy Policy
    • ACS Harassment, Discrimination & Bullying Policy
    • Code of Ethics and Professional Conduct
    • Refund Policy
  • FAQs
  • ACS Logo
• News
  • President's Blog
  • eNews archive
  • Media Releases
  • Feature Articles
  • Postcards
  • The Shadowcatchers
  • ACS National Headquarters
  • Vale In Memoriam
  • CineKids
  • Letters From La La Land
• Events
  • Galleries
  • Screening Room
    • Across the Ditch
    • Worth a minute
    • ACS Winners Interviews
  • Showreels & Highlights
  • Top Tech Video Reviews
• Membership
  • Categories / Join
  • Member Benefits
  • Members Directory
  • ACS Accreditation
  • ACS Accredited Members List
  • Life Members
  • ACS Merchandise
• Branches
  • ACT
  • NSW
  • NT
  • QLD
  • SA
    • SA Sponsors page
  • TAS
  • VIC
    • Courses
    • Courses Policy & Disclaimer
    • Best Of Crew Award
  • WA
• Awards
  • National Awards
  • State & Territory Awards
    • NSW & ACT
    • VIC & TAS
    • SA & WA
    • QLD
    • NT
  • Award Winners
  • Hall of Fame
  • Award Categories
  • Entry Info | T's & C's
  • Enter the ACS Awards
• AC Magazine
  • Magazine's Website
  • Editorial
  • Advertising
  • Past Issues
• Contact Us

Displaying 1 - 2 of 2

John Toon is an award-winning cinematographer who has worked all over the world and in many genres. His early New Zealand TV jobs include The Governor and Moynihan, while his movie credits include Rain, Sylvia and Sunshine Cleaning (all shot for his wife, director Christine Jeffs), plus Broken English and the upcoming Mr Pip.

In this ScreenTalk, Toon talks about:

Being spied on while filming ground-breaking early current affairs programme South Africa – The White Future
How slow motion filming transformed the documentary John Walker – The 3-49-4 Man
Sharing the filming of The Governor with the National Film Unit
Creating wind from an old DC-3 airliner for movie The Silent One
Making a set surreal for the short film Stroke
"Stealing" the look of the film Rain from colleague, cinematographer Stuart Dryburgh
Using subdued colours on the set of Sylvia
How illness kept him from realising his 'big break' on the Hollywood film Glory Road
Ignoring official rules on the Bougainville set of Mr Pip